“Two Lovers” stars Joaquin Phoenix(Leonard),Gwyneth Paltrow(Michelle) and Vinessa Shaw(Sandra), it is rumored that this is the last film of Joaquin Phoenix.The news of Joaquin Phoenix retirement from acting has prompted me to watch “Two Lovers”

The film starts with a dramatic scene in which Joaquin Phoenix(Leonard) attempts suicide by jumping into a bay but he is saved by few men and is in no conscious mood to thank the guy who saved his life.

In Dev.D and in many other films we have seen that a man embraces self-destruction when he loses his loved ones.In “Two Lovers” we see the make and break of relationships with a realistic tone attached to it with infatuation,desperation etc.. as its attributes.The kind of self-destruction which i find in the characters is so natural that we don’t call it as self destruction in real life.

Leonard is a person who is emotionally ill as her fiancee leaves him because of the genetic tests results indicate that they cant have healthy children.Leonard is attracted towards a neighbor Michelle,he follows her to get her attention,he dances with her,he spends time with her,he talks to her from his window and also feels that he loves her.The feelings of Leonard are very much obvious and it is very likely that any person who is under desperation and frustration of a broken relationship will act in the same way.When Sandra sees a scar on Leonard’s hand she says that “I wanna take care of you,i kinda understand you,you are different,you don’t pretend something you are not”. Sandra has a lot of love for Leonard which he acknowledges but his infatuation towards Michelle is his priority.Leonard buys a ring for Michelle but eventually he gives it to Sandra

Leonard does not tell about the conversation which he had with Michelle’s boy friend to make Michelle love him,but instead he depends on himself to make her satisfy that he really loves her and also says that “this is not stupid f**king crush,do you think i don’t know love?”.When Michelle and Leonard decide to leave the town he buys two tickets and a ring for her with the money he has.

Leonard and Michelle,the two lovers are very much inclined towards self destruction, Michelle has a boy friend who is married and has children and she still wants to be with him,Leonard prefers Michelle over Sandra even after knowing that Michelle has a boy friend and about the miscarriage of Michelle.Michelle and Sandra share intimacy with Leonard but the difference between them is quite visible to us.Michelle ditches Leonard and she explains the reason “I am not going.He left his family for me…and we are getting married”.

After the rejection by Michelle,Leonard thinks of suicide and goes near the bay where he throws the ring box and therehe recognizes the gloves given by Sandra and he walks back to his apartment and gives the ring to Sandra.If you observe keenly the first scene of the film where Leonard attempts suicide he sees a light when he is in the water and prompts him to come above the water and after that he meets his real love Sandra and even in the end when he thinks of suicide he is saved by the gloves which are given by his true love Sandra.

James Gray who is the director and the co-writer of the film makes a film which reminds us of the old days where romantic drama films revolved around relationships.”Two Lovers” is not a masterpiece by James Gray but definitely a very good film which explores the relationships of true love.

Originally published on Passionforcinema.com

After quite some time i am listening to the tunes of Yuvan Shankar Raja.The first thing i see when i buy a music CD is the back cover to have a look at the names of singers and lyricists.The first track is sung by Siddharth and it was not a surprise to me and i am very much sure that we will see it a lot more of this in the future,weather we like it or not is an secondary issue.

Oy! Oy! :This song is written by Chandrabose and sung by Siddharth.This song gives a good instigation to the album but it is devoid of a good singer.The song could have been much better if it was sung by a professional singer rather than by Siddharth.The lyrics of this song is a disappointment as it shows the mediocre side of Chandrabose,he uses many of the catchy English words which didn’t impress me.The pace and beat of Oy! Oy! does give you some energy to listen for the next song.

..beach house lo prema devatha,
yellow chudi daar white chunni to doche naa yada..

Oy! Oy! antoo casual ga pilichero,
Oy! Oy! twenty saarlu kalalo kalisero,

Oy! Oy! Empty gunde ninda nilichero.

Oy! Oy!..Oye.Oye…..

Love at First Sight….
Naalo kalige Love at First Sight…

Saradaga :Saradaga track is sung by Karthik and Sunidhi Chauhan.This song is written by ‘Anantha Sriram’ who gives decent words.The composition by Yuvan Shankar Raja is good and shockingly Sunidhi Chauhan’s telugu has improved,she succesfully traslates the tune and her voice so elegantly that we can forget her previous telugu songs.The only thing which i cant digest is bringing Karthik and Sunidhi Chauhan together for a duet.

Waiting For You : Don’t get mislead by the title of the song,it does not contain English lyrics except ‘Waiting for you’ with good lyrics by Vanamaali.We can hear the real K.K in this song.

Anukoledenadu : Shreya Ghoshal is allowed to sing the type of song which she deserves,this solo song which is predominantly a vocal based is totally engineered by voice of Shreya Ghoshal.Vanamaali does not impress me as he writes the same old stereo-type lyrics to this song.

Povodhe Prema: After multiple hearings of ‘Povodhe Prema’ i get the feeling that Yuvan Shankar Raja composed this song for himself.The song is perfect for his voice,during the initial stage of the song he uses the piano and the guitar in the background but later he the guitar and the drums to elevate the pitch of the song.Vanamaali’s beautiful lyrics are like these…

Nannu Vadili Needa Vellipotunda…

Kannu Vadili Choopu Vellipotunda..

Vekuvane Sandhya valipotunde..

Chikatilo Udayam undi Poyinde..

…………………………..
…………………………..

Nuvvunte Nenunta Prema..
Povadhe Povadhe Prema..
…………………………

Seheri: This is the last track of ‘Oy!’ sung by Toshi and Priya.I guess this song is deliberately placed in the end of the album as to lift our spirits.If i am not wrong the lyrics are provided by Surendra Krishna and Krishna Chaitanya which contain some amount of rap in it.

The CD of ‘Oy!’ is worth its money but don’t expect much.Though ‘Oy!’ does not come any near to Yuvan Shankar Raja’s best works but definitely a good oneand i am sure that you will not be disappointed after buying the CD.

Originally published on Passionforcinema.com

Amitabh Bachchan’s ‘Don’ was madeinto Telugu and Tamil by legends N.T.Rama Rao and Rajni Kanth, recently it was again made in Tamil by Ajith as ‘Billa’ and now in telugu we see it again as BILLA starring Prabhas. From the above mentioned facts it’s clear that the script of DON by ‘Salim-Javed’ doesn’t grow by time and is acceptable by any generation.

Prabhas looks apt for the role of a Don in BILLA and the only one in Telugu Film Industry who can this role. Looks like Meher Ramesh is inspired by Farhan Akthar’s DON rather than original one. Most of BILLA is directed in Malaysia and many scenes are quite similar to Farhan Akthar’s DON.

We have an introduction scene of Prabhas where he carries a suitcase which is in slow motion, even after the introduction scene we see many slow motion scenes and the adjective behind them is quite understandable. Prabhas(Billa) is very fond of Sun Glasses and always likes to wear them and if he doesn’t have one, he picks it from his body guard. The six-pack body of Prabhas is illustrated in the film and even during the six pack scene we see sun glasses on Prabhas eyes. 

In Billa we can watch many Mirrors being broken, lot of bullets being shot and only one hits the target, Cars being blown up and fly into the air, Polices bikes and Cars perform Circus stunts, small exhibition of guns ,A Ferrari is thrown into a lake , etc…

Prabhas who carried some flavor of originality in his previous film ‘Bujjigadu’ does try to make his impression and succeeds in making it but it’s the character and the slang of ‘Bujjigadu’ helps him rather than the character of Billa. Meher Ramesh added some comedy in the film and Prabhas is very good at the execution of the comedy which is some sought of relief. Krishnam Raju makes an OK kind of justification to his role as a police officer and the twists in the film are not hidden very well.

The plot and the characters are well known and the direction of Meher Ramesh is mediocre as he could not totally understand the essence of Amitabh Bachchan’s ‘Don’. The fights do not come at the right time and are tedious and the songs are just a vanilla flavor addition to the film. The music of Mani Sharma is disappointing. Namita and Anushka are character fillers and surprisingly we see Prabhas taking about the excess weight of Namita in the film.

There are two very good and genuine scenes in BILLA apart from that BILLA is an average film, the one guy who gains from BILLA is Prabhas for his comic sense and he is only one who can fit into the character.

Originally published on Passionforcinema.com

Why does the contemporary youth of India love Dev.D?

In Notting Hill (1999) Julia Roberts asks Hugh Grant “What is it about men and nudity, huh?” .Well…there is hardly any relation between ‘Notting Hill’ and ‘Dev.D. ‘Why does the contemporary youth of India love Dev.D? It’s an easy and tough question, depends how we perceive it.

The novel which made ‘Dilip Kumar’ a big hero and has shown ‘Akkineni Nageshwara Rao’ an illustrious career, supported ‘Shah Rukh Khan’s’ rejuvenation, is now helping Abhay Deol and Independent Cinema of India. The film starts with a beautiful scene between young Dev and Paro where we are provided with a hint for their characters. Dev (The Dude) leaves for London for his studies but still maintains his love with Paro (Chhamak Challo). Anurag Kashyap doesn’t waste any time in conveying his idea on ‘Devdas’, in the first few minutes of the film itself we are shown Dev asking Paro ‘Do you touch yourself?’ and after that we are again looking at an unusual scene in which Paro faces some trouble getting her photo scanned which she at last sends it to Dev and Dev says “Paro mein a raha hoon”.

The scene in which Paro takes a mattress into a sugarcane field in the early morning so that she can have a good time with Dev, but Dev refuses and we see how her hopes and dreams are shattered and later she shows her frustration on the water pump symbolically, this is one of the best scenes in the film and many might see it with a obvious angle but for me it shows the true love of Paro towards Dev and at what level she has imagined Dev all these years.

The character of ‘Chanda’ is totally different when compared toother films on ‘Devdas’. It’s a character which cannot be easily digested by everyone. A College girl turned into a prostitute with a sad background attached to it. This Chanda is an ultra modern prostitute where she has sex chat on phone with her linguistic skills, rides a bike; the brothel house accepts credit cards and some of the visitors even carry the HIV test results. 

We see neon lights, Vodka, smoke, bizarre paintings, etc…; Anurag Kashyap breaks all the stereo types’ rules of Bollywood and makes his own film without compromising on many issues. The characters in the film are well written, one may or may not attach themselves with the characters but the way they have been treated is compelling. Amit Trivedi soundtrack and background music is amazing, the composition of every song is different and makes us sing while it’s being played in the film. We even see three balladers dancing in the club for the song ‘O Pardesi’ which is one of my favorite song it starts with the strings of Veena (or Sitar??).

The first half makes a very good impression because of its characters and its unimaginable imagination of Anurag Kashyap. The second half of the film is slightly deviated and could not make a perfect contact with me. It looks like its flirting with its logic and emotions without seriously thinking of evolving out of itself from the first half. The second half lacks the basic eccentricity of the first half but it does not totally disappoint me. The clairvoyance of the viewer gets a beating when Paro visits the room of Dev, if I am not wrong everyone might be thinking of something to happen but eventually turns out to be the other way. The most charming scene of the film for me is when Dev says to Chanda ‘I Love you too you know’ and Chanda says ‘You are such a slut’.

Anurag Kashyap makes Dev.D a special film with in its own limits. The treatment of characters by Anurag Kashyap is filled with honesty. I did not find any compromise formulae for the treatment of characters. Every character has the right to do anything on the screen. The audacity of Anurag Kashyap can be seen very clearly with his wildest and tricky imagination which pulls us into the state of continuous ponder.The film is narrated with the help of songs which is untypical in Bollywood, actually the songs fast forward the film up to 10 minutes. I would remember Dev.D for Anurag Kashyap’s honesty and audacity.

Dev.D is loved by many people, but Gulzar sir gives his point of view about why Dev.D is liked by many of us.How many of us really like or love Dev.D for that reason is an interesting question.

I came to know about the Spanish Film Festival through THE HINDU.I was excited and planned to watch every film but due to some reasons I missed couple of films. The films I could manage to watch were “13 Roses”, “Fermat’s Room”, “The Seven Billiards” and “The Oxford Murders”. As I being a big fan of ‘Pedro Almodovar ‘and ‘Guillermo del Toro’ I have good interest and respect for Spanish films.

13 Roses
Original title: Las 13 Rosas
13 Roses is a different film based on the Spanish Civil War. The Spanish Civil Waris used as a background and basis for different Spanish films like Guillermo del Toro’s ‘Pan’s Labyrinth’ and ‘The Devils Backbone’ etc… But ’13 Roses’ is a unique film which honestly deals with the Spanish Civil War. The film is about the 13 women who are arrested for being rebels of the Spanish Military Rule.

The first hour of the film is very good; the director shows the essence of a revolt within the younger generation, the different plans, meetings, love, investigations, interrogations, etc…. There are some very good moments in the later part of the film like the ones where the catholic guard sympathy with the women, the letter of a mother to her child saying that ‘She was always right’, A father eventually says that he loves his daughter etc..

I felt that most of the second half is slightly disconnected from the audience but in the end it’s a good film with honesty and dignity.

Fermat’s Room
Original title: La Habitación de Fermat
Fermat’s Room is one the best thriller’s I have seen in the recent past. The film is about four mathematicians who are trapped in a room, the room shrinks with time and how they come out from the room.

The plot of the film looks simple to hear but the way in which the director takes the film forward is amazing. As the four mathematicians are trapped in the room which shrinks with time, to stop the room from shrinking is to solve the puzzles given to them by an anonymous person through the PDA. Most of the puzzles are familiar to us and the story gets more complicated as the film proceeds. Even though the director is confined to a single room for most part of the film he manages us to drag us to the edge of our seats, he makes us feel that we are in that room and encountering that situation and we get engaged in every frame of the film.

Fermat’s Room is filled with instant energy which does not allow the viewer to even relax for a second. There are few things which are left out in the film but Fermat’s Room is nothing less than a perfect thriller as it has best combination of suspense, thrill and energy.

The Seven Billiards
Original Title: Siete mesas de billar francés
When I heard the title of the film for the first time I expected it to be a sports film but eventually turn out to be film which I am unable to fit in any genre. Gracia Querejeta’s ‘The Seven Billiards’ is an excellent film for those who like watching films which come straight from the heart of a filmmaker.

‘The Seven Billiards’ is mainly about women and their lives. Angela played by Maribel Verdú has lost her father and at the same time she breaks up with her husband and then decides to re-open the ‘Billiards Parlour’ which was owned by her father. Charo played by Blanca Portillo used to live with Angela’s father and has some problems in her life which she can’t ignore them. For me ‘The Seven Billiards’ was a comedy film as almost every dialogue is filled with humor.

The characters of this film are perfect and we can hardly find these types of characters in any other film. The son of ‘Angela’ is a character which will be remembered for many days, the character is filled with humor, emotion and innocence. I could not stop laughing when he used to ask Charo ‘Did you kill him?’ .The scene in which ‘Charo’ and ‘Angela’ have dinner which was pre arranged by Angela’s father after his death on the occasion of Charo’s birthday is amazing. The One-Eyed Man character and his confrontation with the painter and almost every character in the film is filled with originality. The film can be seen as a melodramatic one as it combines all the elements of human emotion connecting it to every character.

If anyone does not laugh or even smile while watching this film I can confirm that even Nitrous oxide (Laughing Gas) cannot make them laugh.

The Oxford Murders

‘The Oxford Murders’ is a mystery film which deals with the sequence of murders. The film stars Elijah Wood, John Hurt and Leonor Watling. The film is directed by ‘Álex de la Iglesia’.

“There is nothing like Absolute Reality.”

Martin (Elijah Wood) is a student who wants Arthur Seldom (John Hurt) as his supervisor at the Oxford University and he stays in an old women’s house who is first murdered and the first one in the sequence of murders. Accidentally Arthur Seldom and Martin get involved in this murder mystery and continue to solve this mystery with the help of their mathematical knowledge as one murder is linked to the other with a mathematical symbol. The film sometimes takes itself so seriously that the audience gets disconnected with the plot and wants to jump to the next scene. Leonor Watling character provides some distraction and some relief. The best shot scene is the one which takes just before/after the murder where the camera continuously moves from one end to other and includes all the pivotal characters.

‘The Oxford Murders ‘ could have been a much better film but it loses itself in its plot and logic but finally makes a good impression on the audience.

“FAKE is Absolute Reality.”

The films which were screened were good and i enjoyed the Spanish Film Festival and eagerly waiting for the next year.

Originally published on Passionforcinema.com

Whenever i watch a movie with my friends in a DVD player,laptop or in a PC something intresting comes for us to discuss as we have the liberty to pause while watching the movie,the discussions which we have range from casual conversations to high degree altercations.Sometimes i wonder,how many interjections and perceptions can be drawn from a single movie.

Yesterday i was watching a Telugu film BOMMARILLU with some of my friends and one of them was a Bengali who hardly speaks telugu,after watching he said that to me “the best film i have seen in the recent past”.BOMMARILLU without any doubt breaks the boundary of language .In this article i am not writing a review of BOMMARILLU instead i am trying to point some unfortunate side effects of the film.Curiosity in me asked to search articles on BOMMARILLU in PFC and surprisingly i did not find any article and my thought of writing an article on BOMMARILLU started to take a shape.BOMMARILLU lovers may hate this article,if you guys feel that you might be offended then DO NOT PROCEED.

Every telugu guy and girl LOVE BOMMARILLU and its very much possible that most of the parents HATE BOMMARILLU for obvious reasons.The heart and core of BOMMARILLU is the relationship between a father and his son played Prakash Raj (Aravind) and Siddharth Narayan (Siddu) respectively,Genelia D’Souza (Hasini) plays the love interest of Siddu.

The character ‘Siddu’ looks slightly complicated when we observe it meticulously but trying to understand the directors point of view is very important,Siddu is provided with all the resources but at the cost of his fathers taste.As we see in the film that every decision,even the decision of his marriage is taken by his father.and as Siddu does not have the freedom of expression he is obviously not happy happy with his father but he does not hate his father because Siddu is aware of the fact that even though he is not allowed to chose anything in his life but his father is trying to give him the best without considering his son’s opinions.Apart from the fear which he has towards his father,Siddu has the audacity in him to tell his father about his girl friend and eventually makes her stay in his house for one week and Siddu is concious that he is engaged to another girl.Siddu could have eloped with Hasini but he didn’t because he has some amount of confidence somewhere in his heart and some RESPECT towards his father.

The character ‘Hasini’ which is loved and adored by almost everyone who have seen BOMMARILLU and it is not as simple as it seems to be. Hasini is a Happy-go-Lucky girl and likes to mingle with everyone.The greatest ingredient which Hasini possess is Innocence which has been wonderfully played by Genelia D’Souza.When Hasini comes to know that Siddu is engaged to another women she does not accept him directly but instead she has her own doubts in her mind about Siddu and when she is aware of the fact that Siddu is not accepting her as she used to be in the later part of the film she very explicitly and painfully rejects Siddu , Hasini is not only innocent but an Intelligent girl too and takes the right decisions at the right time.Innocence does not strictly mean that its the hybrid of childish and cool nature.Hasini is not a DUMB girl in BOMMARILLU ,but a girl who likes to her herself who does not want to be a artificial girl.

Both ‘Hasini’ and ‘Siddu’ respect their fathers and are very aware and concious of the situations.

UNFORTUNATE SIDE EFFECTS of BOMMARILLU :

Side Effects on BOYS:
# Eight out of Ten (8 out of 10) guys say that their father is like Prakash Raj (Aravind) which i don’t think its true.
# If a guy is not provided with a bike he tells his friends that his father is like Prakash Raj (Aravind).
# If a father asks his son to join a job rather than studying M.S in U.S.A he accuses him to be BOMMARILLU father without even thinking of the financial situation.

Side Effects on GIRLS:
# Most of the girls after watching BOMMARILLU are trying to wear the same type of costumes,bands,etc… like Hasini , which makes me feel ‘how can these girls have such a bad dressing sense’.
# Some girls who hardly used to talk have started talking a lot.Sometimes i wonder ‘What the hell is she talking?’
# Some girls are trying to exude innocence which they don’t have and they make fool of themselves.
# ‘Hasini’ likes to be natural and hates to be artificial,but most of the girls are leaving their natural presence and are trying to be artificial by emulating ‘Hasini’.Whenever i see such a women i feel that ‘Why is she making a JACKASS of herself’?.

Even after almost 1000 days of its release,the film BOMMARILLU makes me feel that it is released yesterday .Many say that script is the real hero for a successful film,in BOMMARILLU apart from the wonderful script we feel the freshness in the narration and direction.The honesty in the film is also an important aspect as it touches all the emotional structures of a family and an individual without any compromise formula.After BOMMARILLU got released in telugu it was made in Tamil,Bengali and Oriya due to my convictions i did not watch any of the other versions and i am now eagerly waiting to watch it as ‘It’s My Life’ starring ‘Harman Baweja’ and ‘Genelia D’Souza’.

Originally Published on Passionforcinema.com

Does a man’s philosophical perspective change with time?Does a man’s convictions change with time?Does a man’s view towards a piece of art change with time?.. for all the above questions my answer would be YES because few days ago i watched Shyam Benegal’s BHUMIKA for the second time,the first time i watched it was a couple of years ago when i was in my third year of engineering when i was watching it for the second time i could not resist myself from viewing every scene with a microscopic eye.The first time was a good watch with the sense of feelings of diversion from the mainstream cinema,a wonderful and screenplay,remarkable performances and good direction.The second time was a little different ,the shots and scenes are like bubbles in a hot water which just come for few moments and vanish before the other ones are ready to come .

BHUMIKA is a story about a film actress who undergoes through various stages and various situations in her life which have been challenging throughout her life.The untypical narration of the film which moves to and fro with the flashbacks and the present and the thought provoking screenplay makes BHUMIKA a masterpiece.Instead of writing the plot and my views on it i would rather go by few moments,resemblance, symbolism and characters of the film that made me feel BHUMIKA a distinct film of the 1970’s-1990’s era.

The film starts by shooting of a song which stars Usha (Smita Patil) and after the shooting she waits for her car but eventually Usha gets into Rajan’s (Anant Nag) car and after that we see a movie poster ‘Agni Pariksha’ being moved by some men which hints us at the life of Usha.The film title is used in many instances of the film.The next scene in which we see Keshav Darvi (Amol Palekar) and Usha arguing on some issue and we hear the dialouge from Usha

“Meri Kamayi ki zarrorat hai isi liye hain na?”.

After this dialogue i was expecting a slap from Keshav Darvi instead he lights a cigarette with a furious look and continues his dialogue.In the next scene Benegal at a time involves 4 characters Usha,Usha’s Daughter,Usha’s Mother and Keshav demonstrating encapsulation and capturing the emotions and feelings of all the characters within less time.If the previous mentioned scene was to be directed by a normal mainstream director he would have perhaps made Usha meet every character then show her emotions and then leave the house.

In the flashback which is in Black and White where Ushas mother beats Usha for being rude and after that to show the love between the Mother and Daughter he uses only one scene in which Usha comes towards her mother and sleeps beside her.Shyam Benegal infuses some humor and comedy too,the scene where Usha goes near her grandmother and test her breathe whether she is alive or dead.The scene in which the heroine of the film tells that she has been selected and leaves in her car the next scene is the car scene in which Usha leaves the house.

To show the relationship between Usha and Rajan Benegal uses very smart visuals like the shooting a sword fight scene in which Rajan refers to the character as Usha and the portrait of Rajan and Usha hanging on a wall,throughout the film we hardly find any desperate dialogues between the characters.The screenplay is built in such a way that the viewer unconsciously gets into the mood of the characters.

Sunil Verma (Naseeruddin Shah) and Usha (Smita Patil) :

Sunil Verma is the most distinctive role played by Naseeruddin Shah.Sunil Verma is a film director who does not believe in Emotional and Sentimental issues, he sees life as a job and nothing else.The most interesting dialogues come through Sunil Verma’s tongue,when he uses his daughters death as a excuse to not to play HOLI which actually uses it as a trick.He feels that Reincarnation,soul,etc… are bullshit.

“Apne is desh mein dimak se koi sochta nahin hain,Dil se sochte hai sab.”

“Haqeeqat ko nazar andaaz karna hum logo ki qasiyat hai Usse bhi mann nahi bahla to Aatma.Punar Janm ki baton se mann behlayenga”.

“Accident mein marna mujhe pasand nahin hai,mein maroonga to khud kushi karke,Aatma Hatya,lekin us waqt nahin jab mein gambhir and mayoos hoon,kushi aur itminaan ka lamha chunoonga”.

“Zindagi ke hakeeqat to tune hamesha rangeen chasmo se dekha hain”.

After talking all the above nonsense eventually he gives us a surprise leaving Usha in the state of dilemma.

Vinayak Kale (Amrish Puri) and Usha (Smita Patil):

The first encounter of Usha with Vinayak Kale (Amrish Puri) was a rough one in which Vinayak Kale exudes his disrespect towards actresses but later Usha is comfortable being a pampered mistress of Vinayak Kale.The character of Vinayak Kale is filled with masked evil.At the first meeting itself he tries to dominate Usha by showing his disrespect without any fear and later when they are on their way to Vinayak Kale’s palace he says

Vinayak Kale :Woh dekho mera Beta.
Usha:Tumhara Beta ??

Usha:Tumhe muje kabhi bataya nahin…

Vinayak Kale :Usha? Maine tumhe bataya nahin ya tumne mujse poocha nahin… ya ..yeh baat hi nahin nikli..yeh sab mumkin hain

…………….
……………..

abhi bhi waqt hain. agar tum wapas jana chahti ho to driver tume wapis drop kardega.

After stepping into the house of Vinayak Kale when she comes to know that she cant step outside the house and her life is confined to the palace she approaches for the help of Keshav.The scene in which Keshav comes with the police and takes Usha away from the palace,the scene is shot without any dialogues and the camera is placed at a crazy angle which hardly any other director would attempt to do it but it has a profound impact.

BHUMIKA has high technical values like the Cinematography, large part of the film is shot in Black and White, i have never seen such a wonderful Black and white Cinematography.The Screenplay is the greatest asset of the film which is written by Satyadev Dubey , Shyam Benegal and Girish Karnad for which they won the National Award,the screenplay is simple with some powerful expressions.There is a scene in which Smita Patil faces the Mirror which reminded me of a scene from Wim Wenders ‘Wings of Desire’,i am not trying to say that Wim Wenders copied from BHUMIKA,those are few hints which one could find from a directors work to guess that he is great director.

The above written stuff may be a little exaggerated to many readers but this is something really true which i have witnessed after i watched it for the second time.

Originally published on Passionforcinema.com

Many years ago we all might have heard about the “Monkey man” who was creating panic.We all were hearing and reading about the monkey man in “Doordarshan” and Daily Newspapers.Now we have a film on the character ‘Monkey man’ as ‘Delhi 6′.

The film tries to exploit the Unity in Diversity with the help of the cultural background of Delhi. “Abhisekh Bachchan” is the grandson of “Waheeda Rehman” who’s last wish is to die in her homeland who are currently living in America.Abhisekh Bachchan takes back her grand mother to Delhi there he gets a warm welcome.The rest of the film is about the unity and hatred between religions over some consequences which take place in the city of Delhi.

‘Rakesh Omprakash Mehra’ uses different themes to project his idea on the screen,he uses the ‘Ramayana’,unity and diversity concept, and of course the ‘Kala Bandar’ which is the heart of this film.The love factor also plays an important part in the film which is filmed between ‘Abhisekh Bachchan’ and ‘Sonam Kapoor’.The cast of the film is filled with big names like Waheeda Rehman , Rishi Kappor,Om Puri,Prem Chopra,Atul Kulkarni etc.,.The first half of the film is dedicated to the introduction of the culture,traditions,brotherhood between Hindu’s and Muslim’s in Delhi.The ending of the first half is infused with a scene in which ‘Abhisekh Bachchan’ jumps on the roofs of houses.(Very much inspired from District B 13 )

The second half of the film is used to disturb the equilibrium of the first part and make it look like a plot which we have never heard before.The second half tries very hard to come out the of the first half.At the end we will be witnessing the win of love,unity of Hindu’s and Muslim’s and a cameo.

For me ‘Delhi 6′ is a very poor film.’Rakesh Omprakash Mehra’ tries to present a different story of unity and diversity of India but eventually fails as the story telling has severe loop holes.The Screenplay leaves us just thinking of the ending scene without allowing us to concentrate on the present ones. Kamlesh Pandey and Prasoon Joshi make you feel disappointed.The entire first half of the film leaves us in very deep contemplation about the plot which eventually turns out nothing.The one thing which i liked most is that the shit shown in Indian TV Channels which is true.

The character ‘Kala Bandar’ looks good in the initial stages of the film but it does not create any good foundation for such a story.I felt confused with the story and the ‘Kala Bandar’ as they hardly have any kind of attachment with each other.We watch ‘Abhisekh Bachchan’ getting slapped three times,we see Sonam Kapoor dancing with a pigeon,the Ramleelas,the mosque’s,the temples, and the ‘Kala Bandar’ concept but none of them works.There are also some cameo appearances by Anu Malik and Javed Akthar.The music in the film is very good but the songs in the films say to us that these are the only moments which you will enjoy.

Amitabh Bachchan makes a special appearance but that doesn’t make the film look good.I felt like i was watching an Iranian film in which the best part is revealed in the end but ‘Delhi 6′ does not come in that category too.The concept of ‘Kala Bandar’ and ‘Mirror’ looks good but they really don’t fit into ‘Delhi 6′.

Rakesh Omprakash Mehra tries to tell a old story in an innovative way but it lack’s soul which is very crucial for such films.The ‘Kala Bandar’ in us fails to ignite the passion.

Originally published on Passionforcinema.com

Dreams of Akira Kurosawa

I visited by friend to get some DVD’s as I was very bored and wanted to watch a film , he tells me that he has the DVD of the movie DREAMS. I jump with joy thinking that it is Ingmar Bergman’s Dreams (1955) (I feel that I am the biggest fan of Ingmar Bergman).To my disappointment It turns out to be Akira Kurosawa’s Dreams (1990).

I asked some of my online friends about their opinion about Akira Kurosawa’s Dreams before playing it in my DVD player. One of my friends says that “don’t expect it to be THE DEKALOG “, another friend says that this is one of the worst film made by Akira Kurosawa and another guy says that “If you make a guy watch this film who has never watched an Akira Kurosawa film, I bet he will never watch another film of Akira Kurosawa”.

After receiving such type of feedback it looks like I am going to encounter Mission Impossible. It is said that all the dreams which are shown in the film are actual dreams of the film’s director, Akira Kurosawa at different stages of his life. I insert the DVD into the player and now I am prepared to watch Akira Kurosawa’s Dreams.

The movie starts with ‘Once I had a dream……’

Sunshine through the Rain

This is the first dream of Mr. Akira Kurosawa in which the first scene of the film there a house and it’s raining, it reminded me of Kurosawa’s masterpiece ‘Rashomon’. The boy’s mother tells not to leave the house as when the sun is shining through the rain, the foxes have their weddings and foxes do not like their wedding to be seen by humans, but our hero (the boy) leaves the house and witnesses a wedding procession, actually the wedding procession is done by humans with their faces painted white and who have mustache like that of fox (With the help of that mustache clue we need to that what the boy witnessed is a wedding procession of the foxes). Unfortunately, the boy is spotted by the foxes and runs towards his house. The boy’s mother does not allow him to enter into the house saying that a fox had come by the house, leaving behind a knife . The mother gives an awkward advice to his son asking him to go and ask for the forgiveness . The son gives a clever reply “But I don’t know where they live.” The mother gives the address by saying “Foxes live under the rainbows.” The boy sets off to into the mountains in search of the Rainbow and he finally finds it.

‘Another Dream …’

The Peach Orchard

The second dream of Mr. Akira Kurosawa is also about a boy who follows a mysterious girl and eventually ends in a treeless orchard,he recollects that the treeless orchard is similar to the decoration of his sister’s doll collection .The trees of the orchard are cut down by his family and boy feels a sense of loss during this year’s festival.In this dream the boy has some emotional conversation with the peach trees and their pink blossoms. The boy becomes so emotional that he cries and tells that he is innocent ,as a favour they agree to give him one last glance at the peach trees. Even here the faces of representatives of the peach trees are painted white.The last scene of this dream is freezed,seems like Akira Kurosawa is inspired from Kubrik’s BARRY LYNDON.

‘Another Dream …’

The Blizzard

The third dream of Mr. Akira Kurosawa is slightly different from the previous dreams and here there are no boys instead we have four mountaineers here. The mountain which these guys are climbing is encountered with snow storm (is there any such mountain in Japan?…).The 3 mountaineers fell sick and stop proceeding forward thinking that they are going to die and only one mountaineer has the courage to move forward and obviously he the protagonist of this dream ,but even the hero of our dream is unable to move forward and interestingly he is encountered with a beautiful women who tries to stop him and crush his courage.I found that beautiful women is actually a spirit of Japanese literature who sometimes been described as evil , I learned that this spirit is often portrayed as a nude women ,here we can conclude that Akira Kurosawa lacks the audacity of Zack Snyder who showed Kelly Craig in a similar role in the film 300. At last the Snow Storm stops and as the protagonist opens his eyes he sees that their camp is just few steps away from where they have stopped. A relatively happy ending in comparison with the previous deams. Jai Ho !

‘Another Dream …’

The Tunnel

A Japanese army officer who is traveling by his feet comes across a Tunnel which is filled with darkness. Suddenly a dog (I think its German Shepherd ) comes from the tunnel and snarls at him. The army officer continues his jouney into the tunnel and when he comes to the other side of the tunnel he senses that someone walking behind him and he finds that the man is a soldier who is dead in the war belongs to his platoon. After some conversations with the dead soldier the officer is frightened ,the soldier goes back into the dark tunnel and comes with a fleet of soldiers(What an act of sweet Vengeance!) but the hero in this dream (Army officer) is successful by sending the whole troop of soldiers back into the drak tunnel.

‘Another Dream …’

Crows

This is my favorite dream of Akira Kurosawa and the reason for this being my favorite dream will be answered very soon. An art student looks through different paintings in a Art gallery and then the art student is in the search of the famous artist Vincent Van Gogh. The art student finds Vincent Van Gogh who is in a disturbed state of mind. I was a bit comfortable watching this dream as most of it was in English and did not feel the pain of reading the subtitles. Vincent Van Gogh talks some bullshit with that art student. Later we come to know that Vincent Van Gogh has lost his left ear and he is in the search of something which is very hard to predict and finally he disappears into the wheat fields and then the CROWS start flying as the dream is titled as ‘Crows’.Coming to the question of ‘why this is my favorite dream?’ . The character of Vincent Van Gogh is played by ‘Martin Scorsese’ and this is the best cameo of Martin Scorsese.

‘Another Dream …’

Mount Fuji in Red

A large nuclear power plant near Mount Fuji has begun to melt down and all the six reactors are exploding one by one.The whole sky is in Red and the people of Japan are fleeing into the ocean to save their lives.The only people left on the land are three adults and two children and all the others jumped into the ocean.Out of those three adults one of them is a scientist who is responsible for Nuclear Technology and accepts that it is the scientists fault that caused this horrific incident. The Scientist says that all are going to die with the radio activity and there is no way to escape, before dying the scientist improves our General knowledge and Scientific knowledge,he says that Japan is too small and very hard to escape,he describes about different colors emitted from the radio activity, Plutonium-239’s 10000000th of a gram causes ‘Cancer’.

‘Another Dream …’

The Weeping Demon

The title of this dream made me laugh as it reminded me of ‘Monty Python’s The Meaning of Life’ and the Demon looks similar to the ‘Keeper of the Bridge of Death’ who asks 3 Questions in ‘Monty Python and the Holy Grail’. In this dream a man is wandering in murky mountains and suddenly he finds a Demon,at the first look he is frightened by seeing the demon but after sometime they talk candidly,share opinions,climb mountains,etc… The Demon explains about the Nuclear disaster which took place and the result of it is the huge Dandelions and humans sprouting horns,etc.. We also witness the crying of those Demons because of the pain caused by their horns.

‘Another Dream …’

Village of the Watermills

A young man enters into a village and is impressed by its natural beauty.He sees the Water Mills,children plucking flowers and placing near a stone and meets an old man in a village who is repairing the wheel of the Water Mill. The old man tells us many things, to use candles and Linseed oil instead of electric bulbs,not to use tractors to cultivate fields and tells us to use Horses and cows. The young asks a tricky question ‘What do you use for fuel?’ The old man gives a very clever answer ‘Firewood mostly(The young man might have thought that he caught the old man but..)We don’t feel right, chopping down trees, but enough fall by themselves .We cut them and use them as firewood.’The villagers celebrate death and the old man is attending the funeral of 99 year old who was his first love and by the way the age of the old man is 103 years.

I hope everyone would forgive my sarcastic approach towards this article.I have some strong reasons to be sarcastic, for me Akira Kurosawa’s Dreams is a great movie,it may not be a masterpiece but the enormous amount of artistic content involved , the message which Akira Kurosawa tries to convey to the audience , the visual vibrancy ,the Cinematography, the small characters makes DREAMS a great film to me.This film might be kept under different genres like ‘Magic Realism’,’Neo Realism’ etc.. but it captures the message perfectly .After a lot of contemplation through my inner dimensions of my mind I decided to go with the sarcastic approach, because I feel that many critics have ignored this film without looking into the finer artistic approach of Akira Kurosawa.

There are some wonderful artistic elements in each dream .Most of the dreams are interconnected. I am mentioning some of artistic elements and I have many unanswered questions too.

Key Aspects:

  • The Rainbow is the key to the first dream .It involves curiosity of the boy,search of the rainbow etc..
  • The second dreams shows the loss,beauty of nature, the dolls are the key in this dream.
  • The aspect of death,courage,fear are shown in the third dream.The character of the spirit is the crucial one.
  • This dream too portrays death,fear,war,power,redemption and regret.The Dark tunnel,the red light,the dog add too the artistic flavor.
  • The painting of Vincent Van Vough’s are itself are a riddle.The crows,the missing ear are the key to this dream.
  • In the ‘Mount Fuji in Red’ dream Akira Kurosawa directly talks about the harmful affects of Nuclear Weapons and the end of mankind.
  • In the seventh dream Akira Kurosawa show the horrific,tragic life of Demons affected the Nuclear holocaust by which he makes a very emotional statement.
  • After the horrific previous dream Akira Kurosawa shows us the beauty of Nature and says that even death can be a moment of celebration.

Akira Kurosawa’s Dreams may not be as great as Kieslowski’s ‘THE DEKALOG’ and all the dreams may not be actually of me Akira Kurosawa , it is not as great as the ‘Seven Samurai’ or ‘Rashomon’ but every dream of Akira Kurosawa is perfect and suits the contemporary world.

Originally published on passionforcinema.com